After delivery of a parcel, on leaving a restaurant, hotel or train, or following an exchange with the customer service department of your telephone operator, the same request: to rate. On a scale from 0 to 10, embellished with colors, or by awarding pretty, playful little stars. A simple, mechanical and painless action for the rater. But behind this harmless gesture lies a brutal management system, operated directly by the customer, without their knowledge. Even more worrying: without knowing it, we are all being rated, to feed the algorithms of opaque companies that claim to be able to predict the future. The film questions this invasion of rating systems, and the consequences of this practice for our individual realities and collective freedoms.

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Through masterful editing and a seamless interplay of sound and image, Catarina Gonçalves crafts a timeless cinematic essay on artistic motion. She follows 17-year-old Nina Pinzarrone, Belgium’s second-ranked figure skater, as she embarks on the delicate yet relentless pursuit of perfection while preparing for her first World Championships. Gonçalves’ intimate black-and-white cinematography remains devotedly close to her subject, capturing exercises and repetitions that reveal both resilience and vulnerability. The result is an elegant portrait of a talent in the making, and of the unwavering dedication behind every great achievement.

Young Anna is from Romania and old Noun is from Egypt. They are neighbours in a rundown building in Paris. They share the same interest in idle news but they hate to talk about themselves. Yet, old secrets are unveiled, little by little. The film ricochets in different directions. Fiction, biography, animation, mystery, detective story - the life of Monsieur Noun has too many stories in it to be captured in one form.

In 1920, a squire decides to change his skin and pretends to be poor to a nice bourgeois family. This mysterious and handsome young man, discovered in a pavilion of a vast property, will cause a lot of disturbances among the female population of a castle.

Joined by contributors, and with a different guest each week, Marie-Louise Arsenault hosts this magazine that highlights the week’s top stories, casting a critical eye on the national and international media and the images that surround us in journalism, advertising and social networks.

In a run-down neighborhood, Zoe and her little brother Theo are left to fend for themselves. A young adolescent, Zoe is a ball of anger haunted by an intimate terror. Theo, still a child, flees reality into a fantastical world. During a scorching summer day, the two children will have to burst the abscess of their relationship so as not to lose each other. 　　源自：https://schedule.sxsw.com/2024/films/2196707

In a run-down neighborhood, Zoe and her little brother Theo are left to fend for themselves. A young adolescent, Zoe is a ball of anger haunted by an intimate terror. Theo, still a child, flees reality into a fantastical world. During a scorching summer day, the two children will have to burst the abscess of their relationship so as not to lose each other. 　　源自：https://schedule.sxsw.com/2024/films/2196707

Hugo, a high school student from a village, at an age where one doesn't think much of one's image, opens up to the world thanks to rap.